Wet Afternoon

tree_streetsThis morning when our friend Patrick met us to give us a quick tour, the first thing he did was hand us an umbrella and said, “it is definitely going to rain today.” I asked if he had seen a forecast on the news or the Internet, and he said while wiping his brow with a handkerchief, “no, I just know it from the feel — it’s warm and very humid, which means it is getting ready to rain.” And he was right.

We had planned to walk to The Bund — the famous landmark of Shanghai, a strip of colonial era buildings along the Huangpu River that separates Puxi (the west bank where we are) from Pudong (the east bank) — but the wet weather discouraged us from going further than the People’s Park in the center of what would be considered downtown.

alley_3

We started walking east on Fuxing Rd., a major avenue through the French Concession but still lined with plane trees (a legacy of the French, obviously) and less manic than Huaihai Rd., which is chock-a-block with fancy retail stores and honking traffic. Instead we enjoyed seeing stores focused a little more on the local population, as well as alleys leading into the building blocks that are where many of the residents live and spend much of their time (similar to Hutongs in Beijing) but are fast disappearing as they are replaced with huge apartment hi-rises and office buildings. Earlier in the morning Patrick took us into one of them to show us how they work: outdoor kitchen prep areas with a spigot, basin, and cutting board/counter; chamber pots that are set out in the morning to be emptied at the communal toilet at one end of the alley; clothes hanging everywhere above the alley on bamboo poles suspended about 15 feet above.

Patrick pointed out that for most of the day we would see only very young or very old people in the alleys because everyone else was out working. He also pointed to a bulletin board at the entrance of the alley common to almost all alleys that contained news important to the residents of the alley, but also contained a list of the “Seven No’s”, or the seven important rules for everyone to follow. One of the rules is “No Jaywalking” but it’s been clear that either everyone on the street must live somewhere without access to a list of the Seven No’s, or it’s pretty widely ignored.
Continue reading “Wet Afternoon”

First Shanghai Breakfast

er_and_tofu

Our local contact Patrick (a college friend of Alison’s) gave us a quick tour of the neighborhood this morning before he headed to work. He explained many things about how the neighborhood (the French Concession in central Shanghai) is put together socially and architecturally, but most importantly he found us breakfast at some of the little stalls here and there along the street.

Street Food Strip
Street Food Strip

tofu_bagFirst he showed us the bao (pronounced “bow” as in the front of a ship) vendor who had four kinds of bao (sesame paste, meat, bitter greens, and radish) plus sticky rice shumei (a kind of dumpling). We got one of each of those, although they were out of the radish bao for 4.50 yuan. Next door they were selling one of Patrick’s favorite morning dishes: tofu in hot sauce. We got a bowl of that for 1.50 yuan.

We ate the dumplings as we continued our walking tour, then we took the tofu (less street friendly) back to the apartment. It was *fantastic*! And at 6 yuan total for both our breakfasts, we had not yet spent $1 for food today…!

apt
The apartment is very nice, in a modern apartment building just off the “Fifth Ave.” of Shanghai (Huaihai Middle Rd.), but set back so it’s not too noisy.

It’s raining lightly today, but we planned to walk as much of the city as possible, and then learn how to use the subway.

Eric and Alison China Journal

Eric has sent me two emails of he and Alison’s trip to China. Looks like there might be more coming, so I started a pictorial journal on rectorsite. I’ll add each new installment at the end of this post, so check back regularly.

JUMPING OFF
September 15, 2009 9:21:00 AM PDT

Here, beside the Richard Serra (withOUT the fuzzy red finish, though) slabs, we are about to leap over to Asia…at 3am EDT you can imagine that we are having our first impressions of China (perhaps getting detained for smuggling cheese?).

Richard Serra at airport
Richard Serra at airport
Richard Serra at airport too
Richard Serra at airport too

LANDING
September 16, 2009 7:33:34 AM PDT

Yes, in fact, we did fly over the arctic ocean, entering just north of Hudson Bay, and exiting well into Siberia (see photos). The Canadian tundra and Siberian tundra looked identical, and in between — despite global warming — there was an ice sheet, although there were cracks everywhere we flew (when the view was not obscured by clouds). And the sun never set on us.

But it was a LONG ASS flight. When I finally said to myself, “This is a *really* long flight…” we had three more hours to go. I must say, however, that Air Canada made it as comfy as possible in coach in a newish Boeing 777 — three full meals that were actually tasty (and all included a packet of hot sauce and a packet of soy sauce) including the Cup O’ Noodles for breakfast; reasonably spaced seats that reclined enough to keep your head back as you snoozed; and an on-demand entertainment system that allowed us to watch The Hangover, Star Trek, Anvil: The Story of Anvil, and the Pool (plus assorted award-winning Canadian short films, American TV shows, and endless promotions for the Air Canada Duty Free Shopping).

Our first impressions of Shanghai included a young woman who escorted us to a car service waiting for us who knew JUST enough English to pleasantly escort us from the arrivals area to the car pick-up, but when we tried to extend the conversation with, for example, “How is the weather in September?” She had no idea how to respond. But she delivered us to our waiting car, and the car delivered us to the doorstep of an awesome Craigs List apartment in the heart of the “West Village” of Shanghai (complete with Sephora and every other international “luxury brand” boutique).

arctic ice sheet
arctic ice sheet
over the top
over the top
Shanghai from car
Shanghai from car

Stay tuned…

Some Rector History in Photos

Cousin Terril – Frank’s oldest – sent some scanned Rector history photos. Here they are, captioned as best I can, relative to me.

You can download the photos from this site.
If I’ve messed up any names, or if you can add details, let me know and I can make revisions. If you have pictures, send them to me and I’ll put ‘em up.
Marc

mark-libby

Grandma Libby and Grandpa Mark – Marcus Clay Rector, my namesake (along with my maternal grandfather John Levi Herron).

w_libby_mark

Grandma and Grandpa again Continue reading “Some Rector History in Photos”

Reno – Memorial Day Weekend 2009

Prologue
Son Brian is being reassigned by the USDA from the Montpellier, France Lab to their lab in Reno NV. Carol and I traveled to Reno as advance scouts, as it were.

Saturday, May 23
We were off at 9:30am and set the trip odometer to zero. We took 101 to 37 to I-80 to Reno.

The trip on California I-80 was one we had taken a few times – enroute to Lake Tahoe – including the stop for lunch at Ikeda in Auburn, the burger joint where everybody stops on their way to Tahoe.

I-80 California
I-80 California
I-80 Nevada
I-80 Nevada

Once we navigated Donner Pass and crossed into Nevada, we were on unfamiliar ground.

Biggest little City...
Biggest little City...

We arrived in Reno about 2:30 and got lost trying to find Peppermill, but broke off our search to show up at Brian’s approved broker, Coldwell Banker Select, about 3:15… a few minutes early.
That’s 5 hours to Reno and 45 minutes lost over 245 miles.

The return trip was an adventure of a different sort. Continue reading “Reno – Memorial Day Weekend 2009”

May in Maine

Maine Memorial Day Meat
Maine Memorial Day Meat

Above portrays my annual Memorial Day attempt to slow roast a big slab of meat. It invariably turns out too smoky for Alison, but I love it.

This year I brined a boneless pork shoulder (from Olde Sow Farm, the pork vendor that sets up next to me at the Farmers’ Market in Belfast) overnight, then dry rubbed it with red pepper (last of our stash from last year’s harvest), black pepper, coriander (also from our garden), and a bit of Szechuan peppercorns. It’s been in the smoker at about 200 deg F since noon.

I’ll serve it with a Eastern Carolina vinegar sauce, and some braised greens.

You can see that the smoker is hiding behind our pickup truck because it is so windy, and the space between the barn and the house can become a wind tunnel, so the truck is there to shelter it a bit.

The crab apple is just past it’s bloom peak, a bit earlier than usual. And *so far* the black flies haven’t been too bad this year.

SFIFF52 Part I

The 52nd San Francisco International Film Festival
23 April to 7 May
films of 23 to 26 April

tickets3

A really busy 15 days… besides the Festival, The American Institute of Architects National Convention was in San Francisco – I volunteered there three days – and we had tickets to a Giants game. I volunteered for two days of the Festival, but didn’t have time to cash in my freebie tickets. We took a different approach this year. Carol and I picked films and bought tickets using CineVouchers. We covered every day of the Festival except opening night which included a party and cost $60.

We saw more films than ever – 20 for me, 16 for Carol, including 14 together. Eric was in town for a week in the middle and joined us for 4 films. All in all, together we saw 22 different films. Good times, and we never really felt burned out. Carol bagged two films, but I sold her tickets to the Rush Line for a profit.

Reviews and ratings – I copied the film descriptions from the online Film Guide or the Daily Scoop – shown below in block quotes – and appended “my take.” Stills are from the Film Guide, pictures from my camera. I rated the films * to ***** mainly for my own reference. Films that have distribution are noted. Enjoy.

ART & COPY
USA 4/24
CREDITS
Director – Doug Pray
Editor – Philip Owens
Distributed by Sony Classic

art_and_copy_tb

At their best great ad campaigns are magic, transcending grubby mercantilism to open new ways of thinking, seeing, being. Doug Pray (Scratch, Surfwise, Hype!) showcases the creative minds behind the most brilliant and influential campaigns of our time.

my take ***** – The film traces the history of creative advertising starting with first creative ad “THINK SMALL” by the Boston agency Doyle Dane Bernbach. They had the crazy idea to have the Artists and copywriters work together. Previously, copywriters wrote the ad copy and sent it to the art department for illustration.
Focusing on the One Club Hall of Fame, Doug Pray interviewed the principals of many of the winning agencies, a pantheon of creativity:
George Lois – Tommy Hilfiger,
Hal Riney – California Coolers. Hal would create a product called Bartles & Jaymes – “It’s Morning in America”
Goodby and Silverstein – Got Milk
Mary Wells – Alka-Seltzer’s “I can’t believe I ate the whole thing.”
Chiat Day – Apple Computer
Wieden and Kennedy – Nike, Just Do It

I was always awed by the great advertising represented by these men and women… there is so much bad out there.

(Untitled)
USA 4/25
CREDITS
Director – Jonathan Parker
Producer – Catherine di Napoli, Jonathan Parker, Andreas Olavarria
Music – David Lang
Cast – Adam Goldberg, Marley Shelton, Eion Bailey, Vinnie Jones, Lucy Punch
Distributed by Samuel Goldwin Films

untitled

Art for Comedy’s Sake_The stars of Jonathan Parker’s contemporary art satire (Untitled) continued to deliver laughs during their onstage appearance after the screening Friday night. Adam Goldberg, Marley Shelton and Eion Bailey swapped barbs with Parker and answered questions from the audience.
Parker described being intrigued by the idea of artists that take “a very serious approach to things that seem silly on the surface,” a subtle contradiction which actor Eion Bailey said drew him to the script.
“The screening of the contemporary art satire also welcomed various Bay Area crew members, including “local master of sound design” Richard Beggs, who captured the most, ahem, stimulating, leather squeaks and fabric rustles for the movie. The audience even witnessed a third row cameo from the film’s taxidermy artist—a rarely used credit, to be sure—who was responsible for the stuffed animal monstrosities featured in the film. Asked whether the faux artworks created for the picture were meant to parody any real artists—say, British artist Damien Hirst—Parker said that any affinity with actual art stars is purely coincidental. “Vinnie Jones being cast and speaking with a British accent was coincidental, and the fact that it was taxidermy was coincidental. We had our own taxidermist.” In any case, Parker made it clear that he wasn’t out to ridicule anyone in particular or indict bad art. “I’m a big contemporary art fan,” he said. “You don’t make a movie about it for three years without being a fan.”
The film’s title? Parker let the formaldehyde cat out of the bag on that one: The picture will be released in September as No You Shut Up. —RP

my take **** – There were a lot of witty, funny, send-up scenes. I loved the woman gallery owner and her collection of spectacles, hated the edgy atonal music group. All in all, good, spoofing fun. Continue reading “SFIFF52 Part I”

SFIFF52 Part II

The 52nd San Francisco International Film Festival
23 April to 7 May
films of 27 to 30 April

tickets2
A really busy 15 days… besides the Festival, The American Institute of Architects National Convention was in San Francisco – I volunteered there three days – and we had tickets to a Giants game. I volunteered for two days of the Festival, but didn’t have time to cash in my freebie tickets. We took a different approach this year. Carol and I picked films and bought tickets using CineVouchers. We covered every day of the Festival except opening night which included a party and cost $60.

We saw more films than ever – 20 for me, 16 for Carol, including 14 together. Eric was in town for a week in the middle and joined us for 4 films. All in all, together we saw 22 different films. Good times, and we never really felt burned out. Carol bagged two films, but I sold her tickets to the Rush Line for a profit.

Reviews and ratings – I copied the film descriptions from the online Film Guide or the Daily Scoop – shown below in block quotes – and appended “my take.” Stills are from the Film Guide, pictures from my camera. I rated the films * to ***** mainly for my own reference. Films that have distribution are noted. Enjoy.

GOLDEN GATE PERSISTENCE OF VISION AWARD
LOURDES PORTILLO
Mexico 4/27

lourdes-portillo

The Elegant Insurgent_On Monday evening Lourdes Portillo accepted what she called the “stubbornness award”—otherwise known as the Golden Gate Persistence of Vision Award—for her 30 years of fearless, innovative work in documentary filmmaking. As Director of Programming Linda Blackaby handed her the trophy, Portillo joked, “Today I’m really nervous and I feel like I have to maybe drink.”
In an onstage interview, film critic John Anderson asked the Bay Area-based filmmaker about the formative experience of moving to the U.S. from Mexico at the age of 13. Portillo replied that 13 was very special, because she was just old enough to retain a sense of self-possession in a society that “really diminished me as a human being.” She spoke of the distressing experience of looking around her school at Latina girls who were born here or had moved here earlier and had lost their sense of self-worth. “It really propelled me to make films that were meaningful, that looked at us as full human beings, with intelligence and humor.”
After a start in educational filmmaking, Portillo branched into more daring documentary work, exploring important Latino issues on both sides of the border. Señorita Extraviada, the film that garnered her the most attention (and the most death threats) was a jolting examination of the murders of hundreds of women in Ciudad Juárez. When asked how she is able to take on “things people don’t want to know about,” Portillo said it was part of her upbringing, and described a family that always talked about important issues around the kitchen table.
Renowned for her funny bone, Portillo said that documentarians should not take themselves so seriously all the time. Indeed much of her work contains playful fantastical sequences that show an imagination unleashed. Her latest film Al Más Allá, is a hilarious mix of fact and fiction about a clueless documentarian who tries to find a story of corruption in a sleepy seaside Mexican village. —LK

AL Ma°S ALLa°
dir Lourdes Portillo
prod Lourdes Portillo
U.S. Premiere. Tributes:
USA, 2008, 43 minutes

A documentary film crew arrives at a tranquil aqua-toned beach town on Mexico’s Mayan coast, chasing the story of three fishermen who happened upon a wayward package of cocaine—flotsam from a steady narco-stream flowing up from South America en route to northern markets. The fishermen sold it to the local police chief, who warned them (in vain) not to spend their money in town and prophesied, “Whatever comes from the ocean, has to go back to the ocean.” “I think it will take a few days to nail this one down,” opines real-life sound recordist Jose Araujo to the crew’s somewhat flustered and self-important director, played by renowned Mexican actress Ofelia Medina—a delightfully arch stand-in for this sly, prodding film’s real-life director, acclaimed Bay Area–based filmmaker Lourdes Portillo. Gazing at a nearby ruin, meanwhile, Portillo’s fictional alter ego resolves, “I have to find out what this has to do with the Mayas.” A playfully serpentine, semi-fictionalized investigation of a true incident thus de-centers its ostensible subject—three fishermen who never do appear, increasingly seeming the stuff of parable—while undercutting the “heroic” pretensions of the documentary genre itself. What emerges is a rumination on globalization’s violent erasure of local culture—but also on the manufacture of stories and the circulation of “truths” as the counterparts, and uneasy accomplices, of circulating goods, services and people in a voracious economic system that leaves much more than the occasional bag of narcotics in its wake. —Robert Avila

my take ***** – I had not heard of Lourdes Portillo. Interviewed by John Anderson she was a delight, a Mexican/American filmmaker living in San Francisco and focusing on Mexican Women’s civil rights. At the same time, she is witty, charming and often downright funny. Loved it.
The description above of Al Mas Alla is perfect. It was amusing – an insiders look, so to speak – watching a real film crew trailing the actress stand-in for Lorurdes Portillo, while she interviews real people in the dirt roads of the ex-pat community. Instead of seeing just the subject, we see the subject, the interviewer, the cameraman and soundman. We see them between takes, scrambling to get to the next location. Revealing and beautiful, you may find it on PBS or IFC. Continue reading “SFIFF52 Part II”

SFIFF52 Part III

San Francisco International Film Festival 52
23 April to 7 May
films of 1 to 3 May

tickets1

A really busy 15 days… besides the Festival, The American Institute of Architects National Convention was in San Francisco – I volunteered there three days – and we had tickets to a Giants game. I volunteered for two days of the Festival, but didn’t have enough time to cash in my freebie tickets. We took a different approach this year. Carol and I picked films and bought tickets using CineVouchers. We covered every day of the Festival except opening night which included a party and cost $60.

We saw more films than ever – 20 for me, 16 for Carol, including 14 together. Eric was in town for a week in the middle and joined us for 4 films. All in all, together we saw 22 different films. Good times, and we never really felt burned out. Carol bagged two films, but I sold her tickets to the Rush Line for a profit.

Reviews and ratings – I copied the film descriptions from the online Film Guide or the Daily Scoop – shown below in block quotes – and appended “my take.” Stills are from the Film Guide, pictures from my camera. I rated the films * to ***** mainly for my own reference. Films that have distribution are noted. Enjoy.

RUDO Y CURSI
Mexico 5/1
Distributed by Sony Classic
West Coast Premiere.
CREDITS
dir Carlos Cuarón
cast Diego Luna, Gael García Bernal, Guillermo Fracella

rudo_y_cursi

Longtime friends and Y Tu Mamá También costars Gael García Bernal and Diego Luna suit up for this much-anticipated Mexican soccer comedy from the Cha Cha Cha Films producing dream-team of Guillermo del Toro (Pan’s Labyrinth; Hellboy), Alejandro González Iñárritu (Amores Perros; Babel) and Alfonso Cuarón (Y Tu Mamá También).
Bernal and Luna are two unruly hick stepbrothers in rural Mexico, united by a mother with questionable taste in men and their shared love for beer, fútbol and outdoing one another. When a fast-talking agent discovers their talents on the soccer field, but insists he can only make one of them a star, a new path for their rivalry suddenly emerges, taking them from their dusty banana plantation to the big stadiums—and bigger temptations—of Mexico City. Surprisingly, it’s the quieter, more artistic Tato (Bernal) who’s chosen to be the star, but that won’t stop the aggressive, hot-tempered Beto (Luna) from succeeding too (even if he has to become a goalie to do it). Soon it’s not life on the field that’s the problem, but the nights off it: If they survive the gambling, floozies, drugs and gangsters, they’ve still got to survive one another. Assisted by a sly script from director Carlos Cuarón (who wrote Y Tu Mamá También and is Alfonso’s brother) and by the polished Hollywood/Mexico talents of the Cha Cha Cha group, the charismatic Bernal and Luna turn this made-in-Mexico concoction of love, brotherhood and fútbol into a rousing comedy of truly universal appeal.

my take ****I attended this film with Eric on Friday afternoon. It was good and funny, well acted and scripted. But the story was fairly predictable; it had less scope and emotional breadth than Y Tu Mamma Tambien.
Though it fails the comparison test, I can still highly recommend it, and it will come to a theater near you.

AN EVENING WITH FRANCIS FORD COPPOLA
USA    5/1

copolla-announced

Coppola and Cohorts_Perhaps the most intriguing and unpredictable item offered in this year’s Festival catalog was An Evening with Francis Ford Coppola & Friends. At the request of the fabled filmmaker accepting the Founder’s Directing Award, the program would center not on the usual one-on-one onstage interview, but instead on a “moderated discussion” with FFC and various “esteemed friends and collaborators” To Be Announced. Who would show up? Would they stick to Topic A (Coppola and his career) or digress? Would they offer genuine insight, or would it turn into a sort of testimonial dinner?

coppola-interviewed

As it turned out, Friday’s Castro Theatre “evening” was problematic only in that it provided too little of a very, very good thing. The friends and collaborators turned out to be four of Coppola’s oldest and most enduring—editing/sound design genius Walter Murch, director Carroll Ballard, scenarist-turned-director Matthew Robbins and George Lucas, whose name might ring a bell. All were involved in the earliest days of American Zoetrope, Coppola’s S.F.–based production company.
Ergo, the Castro event was like being a fly on the wall at a dinner chez Coppola (complete with spouses and various children present if not heard from) in which old friends waxed nostalgic about their crazy youthful days of collective risk-taking. Which exploits it just happens we already know a thing or two about, as it encompasses movies like Lucas’s now-revered 1971 directorial debut THX-1138, The Godfather, American Graffiti and Apocalypse Now. Eavesdropping on such reminiscences, one could sense a fair share of the audience felt it had died and gone to heaven. —DH

copolla-cohorts-wives Continue reading “SFIFF52 Part III”

SFIFF52 Part IV

San Francisco International Film Festival 52

23 April to 7 May
films of May 4 to 7

tickets

A really busy 15 days… besides the Festival, The American Institute of Architects National Convention was in San Francisco – I volunteered there three days – and we had tickets to a Giants game. I volunteered for two days of the Festival, but didn’t have enough time cash in my freebie tickets. We took a different approach this year. Carol and I picked films and bought tickets using CineVouchers. We covered every day of the Festival except opening night which included a party and cost $60.

We saw more films than ever – 20 for me, 18 for Carol, including 14 together. Eric was in town for a week in the middle and joined us for 4 films. All in all, together we saw 22 different films. Good times, and we never really felt burned out. Carol bagged two films, but I sold her tickets to the Rush Line for a profit.

Reviews and ratings – I copied the film descriptions from the online Film Guide or the Daily Scoop – shown below in block quotes – and appended “my take.” Stills are from the Film Guide, pictures from my camera. I rated the films * to ***** mainly for my own reference. Films that have distribution are noted. Enjoy.

CALIFORNIA COMPANY TOWN
USA 5/4
Director and everything else – Lee Anne Schmitt

california_company_town

Cataloguing California
A recording of a school choir’s last performance before the Eagle Mountain mine closes and the town is abandoned. A hulking prison—California’s largest—dominates the failed social experiment of California City. An oil refinery belches pollutants over Richmond, the state’s murder capital. These are some of the raw materials that form Lee Anne Schmitt’s California Company Town. In blending the sights and sounds of 14 specific locales, Schmitt attempts to create a catalogue of the state’s economically depressed towns, industrial wastelands and failed utopian communities. But, she says, “The film is less about individual histories of towns—any place in the state could be in the film. We all live in company towns.” Of her attempt to question why and how certain communities fail, Schmitt says, “I think of this as an archive. And this is, as all archives are, a subjective and flawed way of looking at history.” Silicon Valley—the thriving company town of today’s global economy—is provocatively featured as the caboose to Schmitt’s series of cities. When asked if her inclusion of the Google campus within an archive of failed communities is meant to foretell Silicon Valley’s ultimate demise, Schmitt demurred. “I never answer that question. Silicon Valley is the place I least like to talk about. Because it is not really a place—it’s an idea of a place laid upon other places with their own pasts. Some people find the footage atrocious, some find it positive. I guess that depends on your point of view.”—JP

my take ***I didn’t get it. I understood the demise of the logging towns and the mining towns, but Richmond, Silicone Valley? When pressed, Lee Anne Schmitt would only say, “I spent three years shooting and a year editing and re-shooting.” It’s a very personal film and maybe she understands it, but it doesn’t communicate. That said, I’m glad I saw it… some of the photography and scenes are stunning.

HOME
Switzerland/France/Belgium 5/4
CREDITS
dir Ursula Meier
cast Isabelle Huppert, Olivier Gourmet, Adélaïde Leroux, Madeleine Budd, Kacey Mottet Klein

home

Continue reading “SFIFF52 Part IV”