
Part 2
The 51st San Francisco International Film Festival (SFIFF51) has just concluded. Unlike the previous two years, this year I didn”t work at the Festival, so I had no insider information to use in selecting films (nor did I have free tickets). You can see my chronicles of the 49th and 50th in the archives of this site.
For SFIFF51, I relied on the Program Guide for my selections, as well as chatting up members of the SFFS staff at the Members Night previews. The Program Guide has descriptions of each film, along with one picture. They are not reviews, but promotional descriptions meant to entice ticket buyers to buy tickets.
Here, I include the Program Guide entries for the films I saw, and append a paragraph called My Take — for my reaction to the film. I”ve rated the films, as well, from * to **** with ~ being a half star. I”ve noted the films that have distribution. Some will gain distribution due to their exposure here, some may never be seen again.
The films are presented in the order I saw them, April 25 through May 8, 2008.
I SERVED THE KING OF ENGLAND
Czech Republic, Sony Pictures

I Served the King of England marks the return of director Jirà Menzel, master filmmaker of the Czech New Wave. The story, told in flashbacks, concerns the rise and fall of an amorous and opportunistic apprentice waiter. Jan DÃte is a little man with a big appetite for discreet sexual encounters and worldly success. His coming of age at various grand hotels exposes him to the lifestyles of the upper crust, the crème de la crème of 1930s Czech society, and a taste of their self-indulgent and carefree extravagance fuels his ambition. Soon he lands a job at a prestigious luxury hotel, where a chance encounter with a Sudeten German activist leads to a newly varnished Aryan identity. As the hotel changes hands from private ownership to the grip of the German SS, he finds himself in one of the Lebensborn breeding resorts designed to spawn the Aryan master race. It appears he finally has it made, but with the Germans occupying Czechoslovakia he is unfortunately on the wrong side of history. Luscious to look at, this finely crafted film is based on the picaresque novel of Bohumil Hrabal (1914—1997), a frequent Menzel collaborator who inspired a generation with his lyrical yet unsentimental view of 20th century life.
—Janis Plotkin Continue reading “SFIFF51, My take… Part 2” →